So that was 2001.
Bold as Love is a high-paced meander through several years of England’s potential future after the dissolution of the UK, as shaped by rock n’ roll. It’s not quite quest, and it’s not quite romance. It’s a thought experiment, it’s a tour of England, it’s about the messiness of change. It’s not a book which put me in the main characters’ heads: they might have known how the rest of the world was getting on, but they only shared in the ways it impinged directly on them. It’s not nearly as much Arthuriana as I feared, based on reading reviews. (It’s not that I dislike Arthuriana per se. It’s that I’m a medievalist, so it makes me picky.)
Gwyneth Jones’ Bold as Love was the first of the poll-topping best science fiction novels written by women in the last ten years that we’ll be discussing here at Torque Control over the course of this year. It was the only one of them published in 2001.
Niall hosted the discussion February discussion, and, speaking of 2001, he noted that the book could not really have been written any later than it likely was. After 9/11 that year, “terrorism” could no longer be conceived of the way it is in this book. But that’s not much of a distraction in the scope of such rich, intense, focused world-building. Much of the intensity it has is in the music, the festivals, the performances. Music is a central focus because, in this book, “what’s significant is the potential of music to be a vehicle for belief, at a moment when belief in all other systems of the world has been shattered by catastrophic cynicism.” Ax Preston, the guitarist/leader of the book and cultural icon, curates concerts as a means to his end of making the best of a difficult political situation. I can’t quite bring myself to call him Counter-Cultural, as the movement within the book is called because, cynical as the book is, it knows full well that this is just a label, and that the Counter-Culture are mainstream cultural avatars, in effect.
My thanks to Niall for hosting the discussion, and to all the commenters who joined in reading (or re-reading) the book.
Niall’s Discussion: Part I: Context, Part II: Characters, Part III: Music, Part IV: Utopia
Overview of Bold as Love and some of its reviews from December
Abigail Nussbaum on Bold as Love and other of Jones’ books.