“Coat of Many Colours” by Dominic Green

IZ223 coverBetter. “Coat of Many Colours” is pretty much a pure old-fashioned idea story, nicely done. In an ecologically devastated South America, Jurassic Park-like tech is being used to engineer “a better, cheaper burger machine” — a food animal that can thrive in the desertified Amazon basin. But, in Experiment 2308, they appear to have accidentally created an intelligent creature. The Australian protagonist, Mullen, is ostensibly brought in to prove that Experiment 2308 is not intelligent, so that she can be killed and eaten without qualm; and there follows much Egan-ish discussion of the nature of intelligence, but in a pleasingly sardonic key:

Mullen bent down close to the bars, looking into the unfathomable eyes.
“I hope you don’t imagine,” she said, “that I am any sort of white knight. I am a cognitive psychologist, and it is my job to torture animals that are on the wrong side of mankind’s current designated threshold of nervous complexity by cutting their nervous systems apart and watching what parts twitch. I’m not allowed to do it to monkeys any more in most countries, but sea slugs and squid are still fair game.”

5 Responses to ““Coat of Many Colours” by Dominic Green”

  1. Interzone 2009 « Torque Control Says:

    […] “Coast of Many Colours” by Dominic Green […]

  2. Nader Says:

    Agreed about the piece (which i just read last week): a well-executed, idea-centered piece.

  3. Martin Says:

    I liked it but again he likes to push his luck: “Lose those preconceptions, Liebchen! I have a degree in Ad Psych from Saatchi-Bertusconi-Pepsi College London England! I can get inside your mind!”

  4. Niall Says:

    At least that’s said by an obviously absurd character. The Svastikas are just part of the scenery.

  5. Martin Says:

    That makes it worse. You can jump the speedbump of Svastikas pretty quickly but the fashionistas are a substantial part of ‘Coat Of Many Colours’. It isn’t even as if they are self-parodies, they are just parodies; a really unwlecome intrusion of the absurd in an otherwise straight story. Actually, it is probably one of Green’s straighest which might be what makes the contrast stand out.


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