Archive for the ‘Uncategorized’ Category

A Discussion about Matter, part three

April 24, 2008

A quick recap, using Paul’s snappy titles:

And now:

Jonathan: It occurred to me a while back that ideology seems to have drained out of SF. Heinlein’s works may have essentially became fora in which he could appear as an appropriately father-like Mary Sue and then mouth off about whatever political issue was getting his goat at the time, but I think that nowadays genre is struggling to keep in touch with the idea of people being genuinely politically motivated.

The Culture books are weird in that they’re frequently political but the politics aren’t particularly fine-grained. The result is that you have characters working for SC out of a genuine desire to further the political aims of SC but as those aims are frequently unclear, the politics serve quite poorly as character motivation, merely resulting in lots of people being enigmatic and secretive.

London Meeting: Ken Slater Commemoration

April 23, 2008

Tonight’s London Meeting is a bit different:

Remembering a significant figure in the BSFA and British SF fandom, and commemorating the 50th anniversary of the BSFA. Peter Weston, Bridget Wilkinson and Rob Hansen will talk about their memories of Ken. Other attendees are encouraged to contribute.

See also. But the venue is the same as usual: The Antelope, 22 Eaton Terrace, London, SW1W 8EZ. The closest tube station is Sloane Square, and a map is here. The meeting is free and open to anyone who’s interested, and the interview will start at 7pm, although there’ll be people around in the bar from 6, and possibly from a bit earlier than that.

Reading Locus Redux

April 21, 2008

1. Remember the review that put me off Lavinia, from the March Locus? Gary K Wolfe’s review in the April issue has won me back over:

What’s even more shrewd is the manner in which Le Guin addresses the fantastical elements of the tale. Gods and goddesses, and Juno in particular, have their paw-prints all over the events of Vergil’s epic, but as Le Guin reminds us in an afterword, she’s writing a novel, and Ritalin-deprive meddlesome gods don’t work too well in a modern novel, so she simply omits them (some might argue with her assertion about gods and novels, but it’s certainly true of the novel she’s written here). What she offers in their place are some surprisingly postmodern fantasy techniques that work to give her narrative a vibrant contemporary sensibility: Lavinia, the narrator, doesn’t hear from the gods, but she does hear from the aging Vergil himself, dying centuries in the future, and more important, she’s aware that she’s largely Vergil’s creation. “No doubt someone with my name, Lavinia, did exist,” she muses, “but she may have been so different from my own idea of myself, or my poet’s idea of me, that it only confuses me to think about her. As far as I know, it was my poet who gave me any reality at all.” That remarkable passage, from the very beginning of the novel, sets the tone for all that comes after, and lends a particular poignance to the part of the narrative that is largely Le Guin’s own invention, the part that takes place after Aeneas vanquishes his rival Turnus, which is where the Aeneid ends.

The reasons this make the book sound appealing to me: I agree entirely with Le Guin’s assertion about gods in modern novels; the description of how the novel works makes it sound like Le Guin’s really thought carefully about what she wants the book to achieve and how; the suggestion that Le Guin carries the story on past where the original ends; and just the fact that the timeslip element sounds neat.

2. This issue has Locus’s 2007 summary of British Books. They say:

Orion/Gollancz returns in top spot on the chart of Total Books Published with 131 titles. Little, Brown UK/Orbit moved up into second with 110 titles. Hodder & Stoughton moved up a notch into third place with 71, with last year’s second-place publisher HarperCollins UK/Voyager hot on their heels with 70. Below that we saw the usual shifting around. Among the climbers, BL Publishing/Black Library/Solaris moved up from eighth place into fifth, largely due to their new non-gaming SF line, Solaris.

(Bear in mind that these figures include reprints.)

Over at the Orbit blog, Tim Holman offers another perspective:

[I]f one wishes to look at the actual market shares of publishing imprints in the UK (as I assume anybody reading the Locus article might be), these were the Top 3 imprints in the SFF market last year:

Bloomsbury: 26.07%
Orbit: 13.22%
Gollancz: 7.18%

(The very large Bloomsbury figure is almost entirely owing to the huge sales of the adult edition of HARRY POTTER AND THE DEATHLY HALLOWS. In 2006, by contrast, Bloomsbury’s share was 2.5%.)

To bring things up to date - and to reflect the current market shares without the influence of a new Harry Potter release - the top 3 imprints in 2008 to date are:

Orbit: 23.27%
Gollancz: 10.94%
Corgi: 8.05%

Make of that what you will; as someone whose primary interest in the state of British sf publishing is that there be books I want to read, I have to say that Gollancz still has the go-to list as far as I’m concerned — closely followed by Faber & Faber. Faber publish relatively few sf books, but the’re usually all of interest to me.

Sunday Reading

April 20, 2008

Nic has started her reviews of this year’s Clarke shortlist with her take on The Execution Channel:

MacLeod is excellent at conjuring this atmosphere of all-pervading suspicion, and is clearly interested in examining how it affects people’s interactions; in light of this, it is odd that there is no Muslim viewpoint character to give us the view from within. The hostile Othering of Muslims — the kneejerk fear directed at neighbours, shopkeepers, fellow commuters — is decried, but MacLeod only replaces it with an ostensibly positive Othering. James (who is heroically more tolerant and clear-sighted than his countrymen, naturally) rescues a Muslim family from their firebombed shop and the angry mob baying for their blood, but this only substitutes the dodgy fifth-columnist image with pitiable victims, rather than real people. In some ways this is a reflection of the treatment of character more generally; none of the major characters really stand out as vital, well-rounded creations. Rather, they operate more as vehicles by which the story-world’s paranoid injustice may be felt by the reader; their lack of individuality and distinctiveness arguably means that we put ourselves in their position, rather than feeling for them as people afflicted.

(I may have quoted the most negative paragraph in the review for effect. You’ll have to read the whole thing to find out.)

Anathem

February 12, 2008

AKA another reason to get around to reading The Baroque Cycle (reading group still scheduled to start here in March!), AKA Neal Stephenson’s next novel, due August. No details on the Amazon page, but a reliable source informs me that this one is actual science fiction, set in the future and everything. Whee!

LinkCo

January 28, 2008

London Meeting: Robert Holdstock

January 23, 2008

At the request of a certain Vector editor, who forgot to post this before going to work, I’m here to take over Torque Control make the following announcement:

The guest for tonight’s BSFA meeting will be Robert Holdstock, interviewed by Paul Kincaid.

Venue (for the last time):
Upstairs room, The Star Tavern
6 Belgrave Mews West

As usual, the interview is due to start at 7pm, but the room is open from 6, and fans will be in the downstairs bar from 5.

There’s a map here.

Hope to see you all there,

Mystery Guest Poster x

Further Housekeeping

September 30, 2007

I’ve changed the comment posting settings, from “all comments get posted” to “person posting must have a previously approved comment”, because (a) the blog is picking up a bit more spam than it used to and (b) I can no longer access the site during the daytime to deal with said spam. Hopefully this won’t cause too much hassle. What I don’t know is whether it will remember who I approved last time I had this setting switched on; if a couple of people wanted to post a test comment in response to this post, while I’m around and able to approve it, that wouldn’t be a bad thing.

Velcro City Down

August 2, 2007

Those of you who follow the Velcro City Tourist Board may have noticed that it’s vanished from the interwebs. Paul’s asked me to pass on a message explaining the situation:

Basically, the server where VCTB is hosted appears to have had a database crash. Unfortunately, the helpful and generous local webgeek who runs it out of his own home machine is away in a muddy field for a German metal festival for the rest of the week, and hence there is little or no chance of the situation being changed until he returns. Normal (ahem) service will be resumed as soon as is possible.

Here’s hoping it gets fixed sooner rather than later.

Why

February 23, 2007

A little while ago, Paul semi-tagged me with the ‘five reasons why I blog’ meme that’s been doing the rounds of some parts of the blogosphere. It’s taken me a while to get around to answering, in part for the usual real-life reasons that usually get in the way of blogging, and in part because I’ve had to think about what the answer is.

For starters, for me at least there’s both the question of why I blog, and why I blog here. Torque Control isn’t set up as “Niall Harrison’s blog”, it’s set up as “the Vector editorial blog”, and in the back of my head there’s always been the hope that when I step down as editor, whoever takes over from me will take over here as well. Part of the reason Torque Control exists, at least in theory, is to promote Vector and the BSFA, and ideally to provide some sort of forum for BSFA members. How well this is working, I have no idea — not well enough to get Vector into the drop-down list for the “Best Magazine” category in the Locus poll, at least, though Foundation makes it; on the other hand, there have been some good discussions here over the past couple of months, and the website gets a healthy number of inbound links.

On another level, of course, Torque Control is “Niall Harrison’s blog” — I have a livejournal, but deliberately don’t use it for any kind of formal blogging any more — and on that level, several of the reasons Paul cites for why he blogs apply to me too. I also like sharing cool stuff with other people (for somewhat idiosyncratic values of “cool stuff”); I too see blogging as a way of engaging with the wider sf community, and have made a number of good friends along the way; and, yes, it’s nice to have an audience. I like thinking out loud, or at least have got into the habit of thinking out loud, and I like thrashing out ideas in the comments section. Quite often, if I just post a quote, it’s because something in that quote has piqued my interest, but I haven’t quite pinned down why yet; seeing other peoples’ responses to the quote helps me to think more clearly about my own. Paul’s point about using blogging to maintain a writing discipline sort of applies to me, too. As with the comments, it’s all an aid to thinking; writing about things I’ve read or seen or done helps me to work out what I think of them (not to mention helps with remembering what I think of them, and why) — although now I’m shading into a separate post about why I write reviews.

Thinking about this, though, has made me wonder exactly where “Niall Harrison’s blog” stops and “Torque Control” begins, or vice versa. Matt Cheney made a post recently about how and why he uses The Mumpsimus in the way that he does. Some of what he says doesn’t apply to me — I do feel some pressure to be consistent in my thoughts, for the more “formal” posts to be quite fully worked-through before I post them; I feel more comfortable writing through that filter, rather than writing more directly, as in this post — but quite a lot of it sounds familiar, particularly the part about posting frequency, and the effect of other writing commitments on that. I try to aim for at least one “content” post a week, but it doesn’t always work out that way.

And I like Matt’s point about finding connections, “talking about sf, but not only sf.” To date I’ve resisted posting about non-sf as much as I can, because Torque Control is what it is; but I think I’m going to start waiving that rule, because I suspect it strikes everyone else as completely pointless. This is not to say that you’re going to suddenly see a flood of posts about, for example, ten-pin bowling (on which topic I can be surprisingly boring). This will still be a blog about things I read and watch, and most of what I read and watch is still sf, and even for those parts that aren’t I can still usually find a way to bring an sf reader’s eye to the proceedings. But hopefully you’ll see a little bit more diversity over the next few months.

Are there five reasons why I blog in there? I think there are, somewhere.